![]() ![]() Hearst Communications,Įleanor Agnes Raymond, Natalie Hays Hammond Shown by permission from Houseīeautiful, © October 1932. Photograph courtesyĮlizabeth Catlett, Mother and Child, 1959, mahogany. © Elizabeth Catlett/licensed by VAGA, New York. Courtesy the Estate of Francesca Woodman, Betty © Louise Bourgeois/licensed by VAGA,įrancesca Woodman, from Space, 2 1975–76, silver Louise Bourgeois, The Destruction of the Father, 1974, Courtesy of the artistĬarolee Schneemann, letter to Kristine Stiles, June 17, Nancy Spero, Codex Artaud XVII (detail), 1972, typewriterĪnd painting collage. Singular Women grew out of a panel, “The Politics of Rediscovery: The Monograph and Feminist Art History,” presented at the College Art Association's 1997 national conference in New York. We thank the association for their pivotal role in the development of this book. We would like to thank those who attended and urged us to continue this discussion as a book. To all of the contributors for their hard work and patience, and to the artists whose work is reproduced, we thank you for your belief in this project. David Cast, Catherine Soussloff, and Janet Wolff offered insightful comments and encouragement, and the graduate students in the “Gender and Difference” and “Theory and Criticism” seminars at Hunter College and the Master's Program at Christie's Education gave us thoughtful reactions to the book-in-progress. Chris Morse assisted us by transcribing key documents. Our families-our husbands, John Curran and Michael Bobrow our parents, Suzanne and Paul Frederickson and Elizabeth and Pierce Webb and our parents-in-law, Rosemary and John Curran and Barbara and Sam Bobrow-listened tirelessly to our reports on the progress of this project from panel discussion to finished manuscript and offered us helpful analysis of the ideas themselves. ― 1 ― INTRODUCTION HISTORIES, SILENCES, AND STORIES KRISTEN FREDERICKSON To the female artists and writers in our lives who provide us with encouragement and inspiration through their words and images we offer our respect and grateful thanks: Brenna Beirne, Kate Teale, Mary Margaret O'Brien, Lesley Dill, Amanda Guest, Kathleen Kucka, L.C. In the spring of 1996 I issued a call for papers to be presented at a panel entitled “The Politics of Rediscovery: The Monograph and Feminist Art History” at the College Art Association's annual meeting the following February. It's puzzles all the way down.The panel was to examine some of the theoretical and practical concerns facing feminist art history and its treatment of individual women artists. ![]() Take photos of everything you find, write notes on them, and use them to solve puzzles. ![]() Questions racing through your mind where are you, how long have you been here, what the fork is that taste? EXPLORE THE WORLDĮxplore an expansive world of ancient temples, airfields, apartments, motels, bars, and more. Moving hurts, like you haven’t moved in a long time. It hurts to open your eyes, the lights are bright but it’s not that. Something sweet but medicinal, an intoxifying cocktail of brown sugar, ethanol, and disinfectant. The air is ripe with something all too familiar. Trapped without your memories but equipped with a camera you’ll explore abandoned apartments, airfields, temples, and underground facilities to search for clues, solve puzzles, and unlock secrets to answer the question who are you? The dioramas provide a superb overview of every scene and the first-person views allow you to climb deep into the gritty world to which you have awoken. About This Game A story of love and loss, Another Tomorrow is a single-player mystery where you take photos and solve puzzles.Īnother Tomorrow is a puzzle adventure that seamlessly blends intricately rendered dioramas with first person exploration and puzzle solving. ![]()
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